Wieck was also a big fan of a solid technical approach. We can see this from his daughter Clara when she writes in her diary expert about his frustration and her only being able to play scales, Cramer's etudes and Czerny's studies on the trill. Wieck's own idea was one of taking the greatest care in the teaching of technique and expression. (208)
Also Brahms is the same way in his approch to instructing Eugeneie, Clara's daughter. She states that he made her play a great deal of exercises, scales and arpeggios as a matter of course and also payed special attention to the thumb. All in all I think Brahms really made her work on a lot of technique and not only in the exercises but also in the music that she played. For instance in Bach he stressed rhythm the most. But in the end all her hard work payed off and she saw the benefits of it. "The seed which he sowed fell upon good soil and bore fruit in the course of years, and when I began to teach I recognized how much I owed to him" (225). Therefore, a musician with a good solid technique will reap the benefits of it. All these great musicians and composers of this chapter understood this and stressed the importance of it. I think if we can follow their example and do the same with ourselves and the students we may have we will see a great improvement.
Solid technique is very important. And while the idea of working on mostly technical exercises is a good idea in theory, I don't think it's all that enjoyable for the modern student. Technical exercises have their place, but if that's all you teach now, students will run away. We must find the proper balance and try to get the students to understand the benefits.
ReplyDeleteYes you are right. I guess when I was starting out I did not understand the benefits of technical exercises so it would be great if we could find a way to protray that to beginners.
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